#508 You can be the one who runs the show
No matter what you want to do
No matter where you go
For your life, you can be the one who runs the show.
No matter what you want to do
No matter where you go
For your life, you can be the one who runs the show.
835 days ago, I started writing three pages of stream-of-consciousness journaling every day.
It’s my one habit where I haven’t missed a single day, but not because I’m afraid I would quit if I skipped a day (I’ve built up enough self-trust and elastic discipline by now).
Not because I derive so much creative and therapeutic benefit from it either (I do, but skipping a day here and there wouldn’t diminish that benefit).
None of that would warrant my hardliner habit approach to journaling, my friend. You know I’m more of an elastic discipline guy.
The real reason I never miss a journaling day is that it was the first habit I ever managed to stick to consistently.
Because of that, it reminds me that I can change my beliefs, habits, and identity, no matter how hard it seems.
It reminds me that, on that momentous day in 2021, my identity started shifting from eternal quitter to consistent go-getter.
It reminds me that actions overrule thoughts.
In other words: Journaling daily has become a beacon of self-trust.
And I’ll be eternally grateful for the day I decided to take a pen and put it on the paper.
I hope you have such a beacon of self-trust in your life.
And if not, I hope you’ll find or create one soon.
P.S. Maybe you already have a beacon of trust, but you’re not aware of it.
After all, the specific activity doesn’t matter.
You could go for a walk every day. Play the guitar. Learn a new phrase in a new language. Do one pushup.
Anything that reminds you of the fact that you, too, can do things aligned with who you want to be.
P.P.S I’m curious… If you have a beacon of self-trust, what is it? Let me know by replying to this Insight!
In his book The Art of Learning (and his podcast episodes with Tim Ferris), Josh Waitzkin, former chess player and martial artist, introduces the concept of “hidden reps” when learning something new:
I think that where the really potent, low-hanging fruit hanging in plain sight lie are in the thematic, are in breaking down the learning process into the core principles or themes you want to work on and doing reps of those. Those are just invisible to people in plain sight.
Josh Waitzkin on the Tim Ferris Podcast: https://tim.blog/2020/03/14/josh-waitzkin-transcript-412/
In other words, find “neglected skills“: situations you don’t often find yourself in and where you haven’t developed a lot of trust and confidence in your abilities yet.
Then isolate and practice them until you develop confidence and trust for that particular neglected skill.
For example, when working on his chess game, instead of practicing the “openings” like everybody else, Josh would isolate the “end games”(the final part of a chess match) and practice only these.
Most people wouldn’t think of doing that; they would always start at the opening (that’s where a chess match starts, after all) and practice the end game only as an afterthought, deep into their practice session when they had already spent all their energy on the opening.
By cutting out the opening entirely during practice sessions, Josh got a lot more “hidden reps” with the end game than his competitors, which led to a big competitive advantage.
This might seem obvious, but in my experience, it’s really quite counterintuitive not to start at the beginning when practicing a skill.
For example, when learning a new guitar piece, it feels strange not to start at the beginning but to pick out a difficult part and practice that over and over again. It’s not impossible, and many teachers will tell you to isolate difficult parts, but my (and many other students’) first instinct would always be to start at the top, over and over again.
Which begs the question:
Where else are we “starting from the top” over and over again, instead of finding and isolating the neglected skills?
Some examples of how I’m trying to integrate this principle into my life:
Neglected skills are everywhere. No matter what you’re trying to learn or achieve, creating the circumstances where you can identify and isolate them, then put in the hidden reps, will pay big dividends.
You can’t reach great successes without exposing yourself to spectacular failure.
You can’t feel amazing without exposing yourself to a downfall.
You can’t feel great love without exposing yourself to a broken heart.
You can’t explore the world without exposing yourself to getting lost.
And what’s more: you won’t be able to fully appreciate the good things in life without having been exposed to the challenging things.
In all his life Picasso produced about 147,800 pieces, consisting of: 13,500 paintings, 100,000 prints and engravings, 300 sculptures and ceramics and 34,000 illustrations – an impressive 78-year career.
https://www.pablopicasso.org/picasso-facts.jsp
13,500 paintings; that’s almost 37 years of producing a painting, every single day.
How good would you be if you had painted daily for 37 years?
Maybe still not as good as Picasso. Or maybe better. Hard to tell, because while many people might be born with talent, few people have the discipline to combine it with that level of discipline.
On the days when I feel like everything I write is bad, I choose to be a writer.
On the days when I feel like the most inspired writer, I choose to be a writer.
On the days when I need to skip a day because life gets in the way, I choose to be a writer.
On the days when I don’t feel like a writer, I choose to be a writer.
And especially on the days when I don’t write, I choose to be a writer by trusting that soon enough, I’ll write again.
I choose to be a writer, not through pressuring myself into hardliner habits but through my daily commitment to the general direction I want my life to take.
Focus on making the majority of your actions and decisions align with who you want to be.
When you do that, you’ll always bounce back.
The future I want to see affects the present I create.
And so does the future I don’t want to see.
Do I let fear of what could go wrong reign my day?
Or excitement about what could be?
Whatever I choose, I may well end up proving myself right.