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    #146 Shadow Artistry

    Shadow writer – someone who holds a secret desire, maybe even an irresistible urge to write but is afraid of being criticized – so their words never even make it on the page.

    Shadow runner – someone who’d love to run a marathon but doesn’t believe they could train consistently enough to make it happen – so their legs never even take them on a single run.

    Shadow singer – someone who loves singing but believes nobody will like their voice anyway – so their song never even reaches past the shower cabin.

    Shadow entrepreneur – someone who has a big life-changing vision, but keeps it hidden out of fear of being ridiculed, dismissed, or ignored – so their ideas never even make it out of hiding.


    Where are you staying in the shadow of your own self-denial?

    Which daily Tiny Trust Builders could help you to step out of that shadow – and do what you always wanted to do?

    It’s time.

    (If this resonates, you might want to read The Artist’s Way)

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    #187 Causality on its head

    You don’t have to feel certain to start taking action.

    You take action to start feeling certain.


    You don’t need to be calm to do yoga.

    You do yoga to become calm.


    You don’t need to have a quiet mind to meditate.

    You meditate to cultivate a quiet mind.


    You don’t have to speak Spanish fluently to have a conversation in Spanish.

    You have a conversation in Spanish to learn to speak Spanish fluently.


    You don’t need to know how to love to start loving someone.

    You start loving someone to learn how to love.


    And while this chain of causality sounds logical, sometimes the logical things are the hardest to remember.

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    #184 Why bad work is necessary

    Every day in which I write, I build my body of work.

    As I build my body of work, I also build a hierarchy of quality.

    Because every day, my writing will be slightly better or worse than the day before.

    That means that the more I write, comparatively, the more good writing I’ll do.

    It also means that the more I write, comparatively, the more bad writing I do.

    Both are necessary.

    Good writing, to feel progress.

    Bad writing, to know what good writing looks and feels like in the first place.

    It’s all part of the process.

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    #8 Musenküsse

    klimt-the-kiss-musenkuss
    Gustav Klimt’s The Kiss (1907-1908).

    der Musenkuss (German) The kiss of the Muse

    Creativity becomes much easier if you see it as a game of finding new ways of describing what has always been there.

    Observing, rather than inventing.

    It’s liberating. Because now the game changes from pulling ideas out of thin air to a game of discovery. Observation. Paying attention. Building upon what’s already discovered, then connecting the dots in way nobody else has.

    Most of all: listening, when the muse finally arrives and visits you for a kiss.

    There’s this voice in my mind
    Impossible to ignore
    And yet I fill my head with noise
    Drowning out
    What deep down I know to be true
    Do I even want to admit
    That this song in my heart
    Is not about me
    But about you?

    P.S.: I’ve observed the same principle in language learning (and wrote a book about the consequences of this mindset shift).

    Which begs the question…

    Where else would we do better if we observed a bit more, rather than trying to invent from scratch?

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