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  • #9 Admiring early work

    Admiring (flawed) early work is easy when we already know the late work is going to be great.

    Everyone forgives Picasso or Da Vinci for a lousy early sketch. In fact, people pay good money to hang one in their living room.

    Maybe the early work, showing that even the greats are mere mortals on a journey towards excellence, is the most valuable?

    And yet, it’s much harder to be gentle on a beginning artist for shipping mediocre creative work – not in the least for the beginning artist themselves – when their path to excellence hasn’t unfolded yet.

    After all, something that one day will be “my early work” is still “my current best work” today.

    The road to excellence is invisible from the trenches.

    But that doesn’t mean it isn’t there.

    Which makes me wonder…

    When I know that through persistence and daily practice, one day, I’ll look back on today’s creation, smiling, thinking: “Oh how far I’ve come… How much I’ve learned… And some of this was actually pretty good…”

    Can I admire my creative work less for what it looks, feels, or sounds like, and more for who I’m becoming through making it?

    Can I do the same for the creative projects of others?

    With that mindset… How much easier and forgiving would the daily creative journey be?

  • #456 Slow and steady, one day at a time

    All bad things happen all at once, and you keep going.

    Slow and steady, one day at a time.

    Nothing happens, and you keep going.

    Slow and steady, one day at a time.

    All good things happen all at once, and you keep going.

    Slow and steady, one day at a time.

    All the good things can’t happen if you don’t keep going when the bad things happen, and if you don’t keep going when nothing happens.

    Slow and steady.

    One day at a time.

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    #173 Are errors truly errors?

    I can believe I’ve published the perfect insight – until I narrate the podcast version a couple of weeks later and suddenly notice subtle typos and, sometimes, logical flaws. The typos and flaws were always there – but did I make a mistake earlier? 

    I can believe I’ve nailed this yoga pose – until, during one session, I suddenly sense some tension in my neck I had never noticed before. The tension was always there – did I make a mistake earlier? 

    I can believe I’ve cooked the perfect dish – until one day, I notice that the sauce tastes even better with a little less salt. But, even before I noticed it, the improvement was always there – did I make a mistake earlier?

    Maybe learning is not about errors but about gaining ever more subtle awareness.

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