#408 Come what may, you’ll be okay
Come what may, you will be okay.
You can trust yourself.
Breathe in, breathe out.
Then go on with your day.
Come what may, you will be okay.
You can trust yourself.
Breathe in, breathe out.
Then go on with your day.
You usually make a plan in a moment of motivation and clear thinking, where everything seems possible.
But you’ll have to execute the plan in a variety of situations, including harsh conditions.
Remember this: difficult moments pass, just like easy moments.
Every moment passes, but your plans and dreams will still be there.
Don’t negotiate yourself out of your dreams based on a difficult moment.
In his book The Art of Learning (and his podcast episodes with Tim Ferris), Josh Waitzkin, former chess player and martial artist, introduces the concept of “hidden reps” when learning something new:
I think that where the really potent, low-hanging fruit hanging in plain sight lie are in the thematic, are in breaking down the learning process into the core principles or themes you want to work on and doing reps of those. Those are just invisible to people in plain sight.
Josh Waitzkin on the Tim Ferris Podcast: https://tim.blog/2020/03/14/josh-waitzkin-transcript-412/
In other words, find “neglected skills“: situations you don’t often find yourself in and where you haven’t developed a lot of trust and confidence in your abilities yet.
Then isolate and practice them until you develop confidence and trust for that particular neglected skill.
For example, when working on his chess game, instead of practicing the “openings” like everybody else, Josh would isolate the “end games”(the final part of a chess match) and practice only these.
Most people wouldn’t think of doing that; they would always start at the opening (that’s where a chess match starts, after all) and practice the end game only as an afterthought, deep into their practice session when they had already spent all their energy on the opening.
By cutting out the opening entirely during practice sessions, Josh got a lot more “hidden reps” with the end game than his competitors, which led to a big competitive advantage.
This might seem obvious, but in my experience, it’s really quite counterintuitive not to start at the beginning when practicing a skill.
For example, when learning a new guitar piece, it feels strange not to start at the beginning but to pick out a difficult part and practice that over and over again. It’s not impossible, and many teachers will tell you to isolate difficult parts, but my (and many other students’) first instinct would always be to start at the top, over and over again.
Which begs the question:
Where else are we “starting from the top” over and over again, instead of finding and isolating the neglected skills?
Some examples of how I’m trying to integrate this principle into my life:
Neglected skills are everywhere. No matter what you’re trying to learn or achieve, creating the circumstances where you can identify and isolate them, then put in the hidden reps, will pay big dividends.
First I decide to write every day.
That one decision liberates me of the burden of a daily decision: should I write or not?
After all, the decision has already been made, and now is not the time to negotiate.
True freedom is freedom from the burden of making the same decisions over and over again.
Because a decision turns into a constraint.
A constraint turns into the freedom to do what matters.
And when you do what matters, you become who you want to be.
Writing every day won’t always help you achieve your greatest desires.
But it might help you lose them — when you realize that what you really wanted was not the outcome, but the feeling of consciously choosing who you want to be, and consciously acting in alignment with that choice.
Once the desires have fallen away, all that remains is the fulfillment every day.
You can relax now.
I’m not writing because I can’t write?
I’m not playing the guitar because I’m bad at music?
I’m not learning a language because I’m bad at learning languages?
That’s the world on its head.
The truth is: you can’t write because you’re not writing.
You can’t play the guitar because you’re not playing the guitar.
You can’t speak the language because you’re not learning the language.
If you would write every day, cognitive dissonance starts doing its work. Your actions will overrule your thoughts and beliefs.
And every day you write, you’re becoming a writer.
Every day you play the guitar, you’re becoming a guitar player.
Every day you learn a language, you’re becoming a language learner.
The only reason you can’t do it because you’re not doing it.
Don’t get it backwards.
Maybe, when you take away the flaws, the whole fabric disintegrates.
Maybe we’re perfectly flawed.